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I do not see why the loss of faith in the known image and symbol in our time should be celebrated as a freedom. It is a loss from which we suffer, and this pathos motivates modern painting and poetry at its heart.
Philip Guston
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Philip Guston
Age: 66 †
Born: 1913
Born: July 27
Died: 1980
Died: June 7
Drawer
Engraver
Illustrator
Lithographer
Muralist
Painter
Montreal
Quebec
Philip Goldstein
Phillip Goldstein
Phillip (birth name - used before 1935) Goldstein
Freedom
Suffer
Faith
Image
Heart
Loss
Time
Poetry
Pathos
Painting
Motivates
Modern
Celebrated
Known
Symbol
Suffering
Symbols
More quotes by Philip Guston
The things I felt... about certain painters of the past that... inspired me, like Cezanne and Manet... that complete losing of oneself in the work to such an extent that the work itself... felt as if a living organism was posited there on the canvas, on this surface... That's truly... the act of creation.
Philip Guston
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
Philip Guston
I should like to paint like an man who has never seen a painting, but this man -myself - lives in a museum.
Philip Guston
I'm not interested in painting I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
Philip Guston
We are image-makers and image-ridden... We work until we vanish.
Philip Guston
More than a process, painting is being possessed.
Philip Guston
What is seen and called the picture is what remains - an evidence. Even as one travels in painting toward a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear.
Philip Guston
Lots of artists who paint have the experience to one degree or another... where their thinking doesn't precede their doing... It's a funny thing, what I really hate yet I have to go through with it, is the preparation.
Philip Guston
Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.
Philip Guston
I am a night painter, so when I come into the studio the next morning the delirium is over.
Philip Guston
When I see people making 'abstract' painting, I think it's just a dialogue and a dialogue isn't enough. That is to say, there is you painting and this canvas. I think there has to be a third thing it has to be a trialogue.
Philip Guston
That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
Philip Guston
If the artist starts evaluating himself, it’s an enormous block, isn’t it?
Philip Guston
The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
Philip Guston
There's some mysterious process at work here, which I don't even want to understand.
Philip Guston
I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.
Philip Guston
Sometimes I scrape off a lot. You have on the floor, like cow dung in the field, this big glob of paint... and it's just a lot of inert matter, inert paint. Then I look back at the canvas, and it's not inert - it's active, moving and living.
Philip Guston
There is something mysterious in this work that I do not ever what to discover.
Philip Guston
To will a new form is unacceptable, because will builds distortion. Desire, too, is incomplete and arbitrary. These strategies, however intimate they might become, must especially be removed to clear the way for something else.
Philip Guston
Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Philip Guston
