Nirvana really touched me as a teenager and started making me pay attention to music as a participatory thing that I could do. Music that you want to throw your body into it - that's a feeling that I'm not quite satisfied with having made yet.

I think that I probably inevitably fetishize nature, although I try not to, because it's kind of embarrassing, repulsive behavior. I think it's just an extension of me being old-fashioned.

For some reason focusing on destruction and mortality is more poetically exciting to me than hope and love.

I really like looking at other people's book collections when I'm at someone's house. I think it is an amazing cross section of a person's brain and lifestyle. I think everyone should photograph their book spines and make a website. Seriously.

A lot of my songs are about death and the fleetingness of life. It just feels good to remind myself about that a lot. For whatever reason. And it's a beautiful thing, actually. It seems to me like it's a beautiful way to live in the world and to relate to things, with an awareness of temporality.

Whenever I get a tweet that's trying to promote a thing someone cares about, I'm like, how annoying!

I was going to tweet every three seconds about every thought that went through my mind, and I did that for a few days. It was really fun, and funny to me.

All things in the world are singing a song, reciting a poem, inaudibly, to their surroundings, to the things they encounter.

To me, Twitter seems like a way for people to just let the world know about the most mundane bullshit that crosses their mind.

Profound thoughts and profound experiences get revealed to be tricks that we play on ourselves, and poetry gets revealed to be just, like, some dumb words that somebody put in an interesting order.

I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.

People's attentions spans are getting shorter and shorter. I don't want to cater to that necessarily but, just for myself, it feels like more than 40 minutes of music is too much.

If my music is political in a way, and it might be, it's in the way of generating a sensitivity in people, a deeper awareness of the world around them. That's my goal, at least.

I like the idea of politically charged music a lot, but it usually seems to be preaching to the choir and ineffective.

When I read War and Peace in Norway, really far away from humanity for a long time, it was such an amazing, affirming blast of humanity in all forms. It totally cracked my mind-nut open and rainbows shot out. I loved humanity and being alive, rather than wanting to bury my head in the snow.

All the books on my shelves, when I would go to them to look for help with my anguish, they all just seemed so crass. They didn't get it. Those books don't understand. Nobody understands. The universe, nobody understands my agony, or my questioning, and it's this shift in what in the world around us could possibly be meaningful or helpful.

I've always written songs with a visual counterpart in my mind that no one else can see.