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As I've got older, I've got more understanding of relationships and how they work - but every single relationship has different dynamics, so you can't paint everyone with the same colour.

Phil Collins

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Phil Collins
Age: 73
Born: 1951
Born: January 30
Actor
Autobiographer
Bandleader
Composer
Drummer
Film Actor
Guitarist
Jazz Musician
Model
Musician
Pianist
Recording Artist
Singer
Singer
London
England
Philip David Charles Collins
Different
Colour
Work
Relationships
Every
Older
Paint
Single
Relationship
Understanding
Everyone
Dynamics

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You can wipe off that grin, I know where you've been, it's all been a pack of lies.
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Another time, we had three days off in Australia, so we went out of our way to fly to Ayres Rock.
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There's no magic for getting into the groove... just banging away at it. Sometimes the lyrics come first, sometimes the music.
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Perception determines insanity.
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As a writer, author, creator of something the fact that people are still interested, is fantastic.
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You'll regret the day you ever messed with Philadelphia Collins and sons
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This stupid sensitivity! But then women like sensitivity.
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Beyond a certain point, the music isn't mine anymore. It's yours.
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When we're touring America or Europe, we use our own plane and a great advantage of that is it cuts out an awful lot of time checking in. You literally drive up to the plane, get on and then drive off at the other end.
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I'm much happier just to write myself out of the script entirely.
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No seriously... when there's families, you tend to go back to your room after the gig rather than go for a drink with the other guys. But there's always someone who's got something going, like the tour manager.
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I do miss things about Britain. I think there was a misconception, there definitely was, that I left because of bad press, and being pilloried. I left Britain because I fell in love with someone who lived in Switzerland - that was the main thing.
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The day Tarzan opened in London, I sat in a hotel room and discussed the project in detail.
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I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
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I don't want to preach, but I really think the rudiments are very important to developing your drumming skills. Many of the patterns I've recorded came from things like paradiddles, flam paradiddles, flam triplets... They might be boring to sit down and practice, but not when you apply them to the drums.
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'Urban Renewal' was sweet because I've been - unfairly, I would say - plonked in the middle of the road because of a handful of songs. It came at a good time for me, because you do take a bit of a browbeating and, as you get older, you become better at accepting it and realizing why it happens.
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The answer is inside your head it's easy to find if you take it logically.
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I just don't think of myself as a star. This is what I do for a living I'm fortunate that I make ends meet.
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I prefer black music in general.
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There's something perverse isn't there, if you're playing in front of 100,000 people and there's 2000 people down the front who don't like, you think: what is it that they don't like?
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