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When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.

Peter Straub

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Peter Straub
Age: 81
Born: 1943
Born: March 2
Author
Novelist
Poet
Science Fiction Writer
Writer
Milwaukee City
Wisconsin
Learn
Third
Comes
Thirds
Hands
Rose
Book
Identity
Long
Blue
Muted
Men
Died
Murderer
Information
Manner
Hand
Nearly

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Many fiction writers eventually want to feel that their work forms a single, unified entity.
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In violence there is often the quality of yearning - the yearning for completion. For closure. For that which is absent and would if present bring to fulfillment. For the body without which the wing is a useless frozen ornament. (A Short Guide To The City)
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I instantly chucked my academic ambitions and began writing fiction full-time.
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The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.
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Ideally, I would create a book so interdependent and self-sustaining in its parts, so wondrously connected word by word and paragraph by paragraph, so charged with the joy of language, that it would actually float three or four inches above any table where you try to set it down.
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There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.
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To feel our character, our personality, and our personal, hard-won history fade from being is to be exposed to whatever lies beneath these comforting, operational conveniences. What remains when the conscious and functioning self has been erased is mankind's fundamental condition – irrational, violent, guilt-wracked, despairing, and mad.
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I believe I encountered death, which was a bit too much for a seven-year-old.
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A lyrical, brave and complex novel that takes enormous risks and pulls them all off.
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I was once told by a very well-respected editor, Category horror is about good vs. evil, that's all it is. And I thought, That's why it's no good. That's why I find that stuff unreadable. One is looking for something that's a little more emotionally complex and nuanced.
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Sometimes it is right to fear the dark.
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I liked the place I came from. But a lot of what I liked about it was that I had come from there.
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Instead, I was interested in what I guess I could call narrative indeterminacy, in questioning the apparent, taken-for-granted authority of any particular representation of the events in question.
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I had a connoisseur's... appreciation of fear.
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The world is full of ghosts, and some of them are still people.
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With American Morons, Glen Hirshberg confidently shoulders his way through the generational pack to claim his rightful place on the summit. These stories are smart, challenging, ripe with feeling, expansive in every way: Horror as it should be writ, and as only the best and most expressive can write it.
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An average working day begins at 8 or 9 am, includes an hour for lunch, and ends at 5 or 6 pm.
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Fear and I were old buddies, despite my best efforts to the contrary.
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Everyone wants to get better as they go along, but sometimes it's all you can do to stay consistent.
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