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You could say that clinical depression is an incapacity to aesthetic response. It's like there's a constant agreement within ourselves, a kind of mutual understanding between ourselves and the world.

Peter Schjeldahl

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Peter Schjeldahl
Age: 82
Born: 1942
Born: March 20
Art Critic
Journalist
Poet
Fargo
North Dakota
World
Mutual
Depression
Response
Constant
Within
Clinical
Understanding
Incapacity
Kind
Aesthetic
Like
Agreement

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Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
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What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it.
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To me, the greatest artists are almost entirely non-verbal.
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All artists and creative people are basically unhappy people. If you were happy, that would mean you were content with the world as it was and why would you ever want to change it?
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Beauty is not a concept. It is the animal joy of the mind.
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Education is this funny thing. You deal for several years with organized information, and then you go out into the world and you never see any of that ever again. There's no more organized information.
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It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
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I find that the mask of the critic is to have distance.
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Beauty makes us more like ourselves and more like each other.
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The aesthetic experience has to be given. And beauty is a regular experience of every person - every person who is not clinically depressed!
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Art teachers are always the doormats of the previous generation.
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A lot of writers and artists are like chefs who eat their own cooking in the kitchen and then deliver an empty plate with assurances that it's great.
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Love and fear, the two strongest emotions we have. It all starts with emotion.
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Smithson was someone of tremendous significance whose work was not beautiful at all. I think he was an iconoclast.
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My problem with political art is not that it's bad art necessarily, but that it is terrible politics.
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It's my duty to sell the ideas. But there's always a question when it comes to beauty.
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Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
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The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.
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