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Art teachers are always the doormats of the previous generation.

Peter Schjeldahl

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Peter Schjeldahl
Age: 82
Born: 1942
Born: March 20
Art Critic
Journalist
Poet
Fargo
North Dakota
Doormat
Previous
Teachers
Generation
Generations
Teacher
Art
Always

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Smithson was someone of tremendous significance whose work was not beautiful at all. I think he was an iconoclast.
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Everything that would begin to make somebody a good student would tend to make him or her a poor artist, and vice versa.
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The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
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Love and fear, the two strongest emotions we have. It all starts with emotion.
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You don't need everybody to agree with you, but you do need a few people. And by this point I have a fairly high degree of confidence in my judgment, in that I don't doubt my sanity or, even if I do, I don't have to be reassured.
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A lot of writers and artists are like chefs who eat their own cooking in the kitchen and then deliver an empty plate with assurances that it's great.
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To me, the greatest artists are almost entirely non-verbal.
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Artists are sometimes in a position to tell the truth, but they're positioned as a Cassandra. They're gifted with impeccable prophecy and the assurance of never being listened to.
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Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
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I do have pleasure when I'm writing. I mean, I'm aware of pleasure. And sometimes I make myself laugh, with a joke or something or I feel gleeful.
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All artists and creative people are basically unhappy people. If you were happy, that would mean you were content with the world as it was and why would you ever want to change it?
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It's my duty to sell the ideas. But there's always a question when it comes to beauty.
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My problem with political art is not that it's bad art necessarily, but that it is terrible politics.
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What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it.
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Beauty makes us more like ourselves and more like each other.
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You could say that clinical depression is an incapacity to aesthetic response. It's like there's a constant agreement within ourselves, a kind of mutual understanding between ourselves and the world.
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It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
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I find that the mask of the critic is to have distance.
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Comic books, graphic novels, involve constant toggling and it's hard work. You get tired reading comic books, but you never get tired looking at pictures or reading words.
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Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
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