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Comic books, graphic novels, involve constant toggling and it's hard work. You get tired reading comic books, but you never get tired looking at pictures or reading words.
Peter Schjeldahl
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Peter Schjeldahl
Age: 82
Born: 1942
Born: March 20
Art Critic
Journalist
Poet
Fargo
North Dakota
Looking
Graphic
Reading
Novels
Words
Comic
Book
Pictures
Hard
Tired
Constant
Work
Novel
Never
Books
Involve
More quotes by Peter Schjeldahl
I find that the mask of the critic is to have distance.
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To me, the greatest artists are almost entirely non-verbal.
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Beauty is not a concept. It is the animal joy of the mind.
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What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it.
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The aesthetic experience has to be given. And beauty is a regular experience of every person - every person who is not clinically depressed!
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I do have pleasure when I'm writing. I mean, I'm aware of pleasure. And sometimes I make myself laugh, with a joke or something or I feel gleeful.
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It's my duty to sell the ideas. But there's always a question when it comes to beauty.
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The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.
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A lot of writers and artists are like chefs who eat their own cooking in the kitchen and then deliver an empty plate with assurances that it's great.
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Artists are sometimes in a position to tell the truth, but they're positioned as a Cassandra. They're gifted with impeccable prophecy and the assurance of never being listened to.
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Everything I've learned about art was (a) because I was actually interested, or (b) I was actually interested in covering my ass because of what I was writing about.
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With art criticism it's difficult to discuss beauty, to assess it, because there's always the possibility that we're insane.
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Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
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It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
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Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
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All artists and creative people are basically unhappy people. If you were happy, that would mean you were content with the world as it was and why would you ever want to change it?
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You could say that clinical depression is an incapacity to aesthetic response. It's like there's a constant agreement within ourselves, a kind of mutual understanding between ourselves and the world.
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Art teachers are always the doormats of the previous generation.
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Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
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Love and fear, the two strongest emotions we have. It all starts with emotion.
Peter Schjeldahl
