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Comic books, graphic novels, involve constant toggling and it's hard work. You get tired reading comic books, but you never get tired looking at pictures or reading words.

Peter Schjeldahl

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Peter Schjeldahl
Age: 82
Born: 1942
Born: March 20
Art Critic
Journalist
Poet
Fargo
North Dakota
Words
Comic
Book
Pictures
Hard
Tired
Work
Constant
Never
Novel
Books
Involve
Looking
Graphic
Reading
Novels

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It's my duty to sell the ideas. But there's always a question when it comes to beauty.
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I find that the mask of the critic is to have distance.
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A lot of writers and artists are like chefs who eat their own cooking in the kitchen and then deliver an empty plate with assurances that it's great.
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My problem with political art is not that it's bad art necessarily, but that it is terrible politics.
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Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
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The aesthetic experience has to be given. And beauty is a regular experience of every person - every person who is not clinically depressed!
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With art criticism it's difficult to discuss beauty, to assess it, because there's always the possibility that we're insane.
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It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
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The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
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I do have pleasure when I'm writing. I mean, I'm aware of pleasure. And sometimes I make myself laugh, with a joke or something or I feel gleeful.
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Beauty is not a concept. It is the animal joy of the mind.
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Artists are sometimes in a position to tell the truth, but they're positioned as a Cassandra. They're gifted with impeccable prophecy and the assurance of never being listened to.
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Everything I've learned about art was (a) because I was actually interested, or (b) I was actually interested in covering my ass because of what I was writing about.
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You could say that clinical depression is an incapacity to aesthetic response. It's like there's a constant agreement within ourselves, a kind of mutual understanding between ourselves and the world.
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Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
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To me, the greatest artists are almost entirely non-verbal.
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Beauty makes us more like ourselves and more like each other.
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You don't need everybody to agree with you, but you do need a few people. And by this point I have a fairly high degree of confidence in my judgment, in that I don't doubt my sanity or, even if I do, I don't have to be reassured.
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Education is this funny thing. You deal for several years with organized information, and then you go out into the world and you never see any of that ever again. There's no more organized information.
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What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it.
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