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Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.

Peter Schjeldahl

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Peter Schjeldahl
Age: 82
Born: 1942
Born: March 20
Art Critic
Journalist
Poet
Fargo
North Dakota
Strong
Sixties
Art
Liberated
Think
Loose
Thinking
Sixty
Impulse
Contrary
Quite
Iconoclast
Actually
Minimalism

More quotes by Peter Schjeldahl

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I find that the mask of the critic is to have distance.
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Artists are sometimes in a position to tell the truth, but they're positioned as a Cassandra. They're gifted with impeccable prophecy and the assurance of never being listened to.
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My problem with political art is not that it's bad art necessarily, but that it is terrible politics.
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What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it.
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It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing.
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The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
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The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.
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Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
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To me, the greatest artists are almost entirely non-verbal.
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Education is this funny thing. You deal for several years with organized information, and then you go out into the world and you never see any of that ever again. There's no more organized information.
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Smithson was someone of tremendous significance whose work was not beautiful at all. I think he was an iconoclast.
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I do have pleasure when I'm writing. I mean, I'm aware of pleasure. And sometimes I make myself laugh, with a joke or something or I feel gleeful.
Peter Schjeldahl
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You could say that clinical depression is an incapacity to aesthetic response. It's like there's a constant agreement within ourselves, a kind of mutual understanding between ourselves and the world.
Peter Schjeldahl
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Beauty is not a concept. It is the animal joy of the mind.
Peter Schjeldahl
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The aesthetic experience has to be given. And beauty is a regular experience of every person - every person who is not clinically depressed!
Peter Schjeldahl
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Comic books, graphic novels, involve constant toggling and it's hard work. You get tired reading comic books, but you never get tired looking at pictures or reading words.
Peter Schjeldahl
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All artists and creative people are basically unhappy people. If you were happy, that would mean you were content with the world as it was and why would you ever want to change it?
Peter Schjeldahl
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Everything I've learned about art was (a) because I was actually interested, or (b) I was actually interested in covering my ass because of what I was writing about.
Peter Schjeldahl
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Beauty makes us more like ourselves and more like each other.
Peter Schjeldahl
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With art criticism it's difficult to discuss beauty, to assess it, because there's always the possibility that we're insane.
Peter Schjeldahl