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I read nonfiction. There's very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.

Peter Morgan

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Peter Morgan
Age: 61
Born: 1963
Born: April 10
Film Producer
Film Writer
Playwright
Screenwriter
Showrunner
Writer
London
England
Peter Julian Robin Morgan
Enjoy
Little
Nonfiction
Enough
Generally
Time
Spend
Fiction
Guy
Reading
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I had no intention of providing any answers or solutions, because you'd only look a fool, but I did want to talk about what it's like to be in a state where you're wondering. And perhaps I was also receptive to the fact I was entering middle age and those thoughts come - to pretend that they don't come is just crazy.
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It might be more difficult because you haven't got a book or a prop, but for the most part I like to write unpaid... initially and my own stories.
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A 20-year-old is never going to give death a second thought, whereas someone in their late 50s is going to think about it... I don't know, 20 times a day.
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As we go through life our relationship with our own mortality and our inevitable demise increases.
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To what degree are historians chroniclers of the truth and to what degree are they just novelists, frankly?
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The stuff that I have perhaps become known for that's based on fact, and English statesmen shouting at each other all the time, doesn't entirely represent who I am. I am not a politics wonk.
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The thing that I'm most in love with is the thing that I'm writing at the moment.
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It's really a lovely feeling to write knowing that failure is taken off the table because if it's bad you just never show it to anyone.
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Firms are a bit concerned about things like oil prices and US growth but actually the change (in firms expectations) is quite small so I think broadly theyre looking for more of the same.
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I just try and do something good. But as a writer, you're slightly out of control.
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I don't want to direct. I have no directing ambition whatsoever. And as long as I meet filmmakers like Tom Hooper, Stephen Frears, and others who allow that collaboration, I can't see why I would ever want to direct.
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I wrote 'Hereafter' quickly and without mapping it out too much or being too schematic. As an exercise, I think that was incredibly important.
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Sometimes you are lucky enough to get offered things and there is no rhyme or reason.
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Having a phone call from Steven Spielberg was just a fantastic rite of passage. I loved it, and he was very focused, very likable, strictly business, and really sharp.
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