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I think that's the job of a director really, to sort of funnel all the creativity into one centralized point of being.

Peter Jackson

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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
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Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
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More quotes by Peter Jackson

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Every film is a challenge. I always say that making a movie is like film school - you're always learning. But unlike most schools, you never get done with it. You never learn everything.
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As a filmmaker, you are going to manipulate the character as you need to make the scenes work.
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I wanted people to believe that there could still be this little undiscovered piece of the world that survives still on Skull Island.
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I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
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Fantasy is an 'F' word that hopefully the five second delay won't do anything with.
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I don't like putting glasses on and watching 3D. I don't mind wearing glasses, but it's the dimness of the light and the fact that you're filtering the light. Whatever 3D process is being used is a filtration of light, which means it's blocking some of the light.
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One does not simply walk into Mordor.
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Some believe it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay small acts of kindness and love.
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When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
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Everything is in a script for a reason, and only by being part of a writing team (or writing it yourself), do you really understand the intention of every beat.
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To me, fantasy should be as real as possible. I don't buy into the notion that because it's fantastic, it should be unrealistic, because I think you have to have a sense of believing the world that you're going into.
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It's interesting how the frame rate actually changes the perception of the 3D as well as making it more comfortable to watch.
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For a lot of my childhood, I didn't want to direct movies because I didn't really know what directing was.
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[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.
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I regard myself as being the final filter so everything that ends up in the movie is there because it's something that I think was cool.
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I am a big Dragon fan. I've said it before- And I was fortunate enough to be born a Dragon in the Chinese Horocope.
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The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.
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If you work at love, you will find love at work.
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The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
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The only thing about 3-D is the dullness of the image.
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