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I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.
Peter Jackson
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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
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Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
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More quotes by Peter Jackson
When you're directing, you're right at the coal face, always exhausted, often emotional - and I'll enjoy being a couple of steps back from that and simply helping where I can.
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I just got to the point where I literally didn't want anyone else to do it.
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The director has to win, because you should never force a director to shoot something they don't believe in.
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He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.
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In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
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[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.
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Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
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When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
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A pregnant woman is like a beautiful flowering tree, but take care when it comes time for the harvest that you do not shake or bruise the tree, for in doing so, you may harm both the tree and its fruit.
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When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
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Structure is important in film, but there's often structure to be found in the most unlikely of places! It's quite possible to build a structured story and retain idiosyncrasy.
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Some believe it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay small acts of kindness and love.
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One does not simply walk into Mordor.
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I was bullied and regarded as little bit of an oddball myself.
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I adore physical miniatures and try to use them as much as I can and have a bit of a fetish about that.
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To people in my industry I'm usually a guy that tries to generate his own projects and I remain very elusive when people try and attach me to big projects.
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And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.
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I don't like putting glasses on and watching 3D. I don't mind wearing glasses, but it's the dimness of the light and the fact that you're filtering the light. Whatever 3D process is being used is a filtration of light, which means it's blocking some of the light.
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The music in a film like this is as critical as anything because Kong is mute. He doesn't talk.
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It's interesting how the frame rate actually changes the perception of the 3D as well as making it more comfortable to watch.
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