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The only thing about 3-D is the dullness of the image.

Peter Jackson

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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
Dullness
Image
Thing

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The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
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New Zealand is not used to wealth. In America wealth is kind of a thing of pride. Here it's the opposite. The more you've got, the bigger the target you are.
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Some believe it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay small acts of kindness and love.
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The director has to win, because you should never force a director to shoot something they don't believe in.
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When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
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A pregnant woman is like a beautiful flowering tree, but take care when it comes time for the harvest that you do not shake or bruise the tree, for in doing so, you may harm both the tree and its fruit.
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No film has captivated my imagination more than 'King Kong.' I'm making movies today because I saw this film when I was 9 years old.
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I just got to the point where I literally didn't want anyone else to do it.
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With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
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Every film is a challenge. I always say that making a movie is like film school - you're always learning. But unlike most schools, you never get done with it. You never learn everything.
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I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.
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The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.
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When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
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For a lot of my childhood, I didn't want to direct movies because I didn't really know what directing was.
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I want to make movies just like King Kong. You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.
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To his ex-wife in court, he said I lost interest in you when the Botox lost its effect and you looked like a plastic doll that escaped from a fire.
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It's interesting how the frame rate actually changes the perception of the 3D as well as making it more comfortable to watch.
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What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
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Two of the actors, Sean Bean and Orlando Bloom, have been caught between two landslides and are now trapped in a tiny town in the middle of the South Island. They have been taken in by a kindly woman who has offered them food and a bed. They were last reported to be cooking spaghetti and cracking into a bottle of red wine.
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I don't like putting glasses on and watching 3D. I don't mind wearing glasses, but it's the dimness of the light and the fact that you're filtering the light. Whatever 3D process is being used is a filtration of light, which means it's blocking some of the light.
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