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The only thing about 3-D is the dullness of the image.

Peter Jackson

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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
Dullness
Image
Thing

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There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance.
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Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.
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When you're directing, you're right at the coal face, always exhausted, often emotional - and I'll enjoy being a couple of steps back from that and simply helping where I can.
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I don't like putting glasses on and watching 3D. I don't mind wearing glasses, but it's the dimness of the light and the fact that you're filtering the light. Whatever 3D process is being used is a filtration of light, which means it's blocking some of the light.
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I adore physical miniatures and try to use them as much as I can and have a bit of a fetish about that.
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Filmmaking for me is always aiming for the imaginary movie and never achieving it.
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Writing a screen play with a group of collaborators is like the Lennon McCartney collaboration .... sometimes one or two people do more than others on certain parts of the process and vice versa.
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No film has captivated my imagination more than 'King Kong.' I'm making movies today because I saw this film when I was 9 years old.
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New Zealand is not a small country but a large village.
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I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
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I think that's the job of a director really, to sort of funnel all the creativity into one centralized point of being.
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The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.
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With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
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The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
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I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.
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For a lot of my childhood, I didn't want to direct movies because I didn't really know what directing was.
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Rivalry doesn't help anybody.
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What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
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The music in a film like this is as critical as anything because Kong is mute. He doesn't talk.
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To people in my industry I'm usually a guy that tries to generate his own projects and I remain very elusive when people try and attach me to big projects.
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