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Filmmaking for me is always aiming for the imaginary movie and never achieving it.

Peter Jackson

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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
Aiming
Achieving
Imaginary
Achieve
Movie
Actors
Always
Never

More quotes by Peter Jackson

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The director has to win, because you should never force a director to shoot something they don't believe in.
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Two of the actors, Sean Bean and Orlando Bloom, have been caught between two landslides and are now trapped in a tiny town in the middle of the South Island. They have been taken in by a kindly woman who has offered them food and a bed. They were last reported to be cooking spaghetti and cracking into a bottle of red wine.
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One does not simply walk into Mordor.
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He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.
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When you're directing, you're right at the coal face, always exhausted, often emotional - and I'll enjoy being a couple of steps back from that and simply helping where I can.
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Elijah can register such subtle emotion on his face that I loved doing close-ups on him. He really brings a superb emotional level to Frodo's scenes and although he is a very instinctive actor, we discussed the character thoroughly.
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When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
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The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
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I wanted people to believe that there could still be this little undiscovered piece of the world that survives still on Skull Island.
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I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
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I think that's the job of a director really, to sort of funnel all the creativity into one centralized point of being.
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I want to make a series of movies that run together, so if any crazy lunatic wants to watch them all in a row, there will be a consistency of tone.
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I regard myself as being the final filter so everything that ends up in the movie is there because it's something that I think was cool.
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Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
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To me, fantasy should be as real as possible. I don't buy into the notion that because it's fantastic, it should be unrealistic, because I think you have to have a sense of believing the world that you're going into.
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You shouldn't think of these movies as being 'The Lord of the Rings.' The Lord of the Rings is, and always will be, a wonderful book - one of the greatest ever written. Any films will only ever be an INTERPRETATION of the book. In this case my interpretation.
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Some believe it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay small acts of kindness and love.
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In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
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A pregnant woman is like a beautiful flowering tree, but take care when it comes time for the harvest that you do not shake or bruise the tree, for in doing so, you may harm both the tree and its fruit.
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As a filmmaker, you are going to manipulate the character as you need to make the scenes work.
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