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For a lot of my childhood, I didn't want to direct movies because I didn't really know what directing was.
Peter Jackson
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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
Directing
Childhood
Direct
Movies
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Really
More quotes by Peter Jackson
If you work at love, you will find love at work.
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Rivalry doesn't help anybody.
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To me, fantasy should be as real as possible. I don't buy into the notion that because it's fantastic, it should be unrealistic, because I think you have to have a sense of believing the world that you're going into.
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I want to make movies just like King Kong. You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.
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New Zealand is not a small country but a large village.
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Every film is a challenge. I always say that making a movie is like film school - you're always learning. But unlike most schools, you never get done with it. You never learn everything.
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The music in a film like this is as critical as anything because Kong is mute. He doesn't talk.
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I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
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When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
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Everything is in a script for a reason, and only by being part of a writing team (or writing it yourself), do you really understand the intention of every beat.
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New Zealand is not used to wealth. In America wealth is kind of a thing of pride. Here it's the opposite. The more you've got, the bigger the target you are.
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The director has to win, because you should never force a director to shoot something they don't believe in.
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He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.
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The only thing about 3-D is the dullness of the image.
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As a filmmaker, you are going to manipulate the character as you need to make the scenes work.
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Fantasy is an 'F' word that hopefully the five second delay won't do anything with.
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In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
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Structure is important in film, but there's often structure to be found in the most unlikely of places! It's quite possible to build a structured story and retain idiosyncrasy.
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I want to make a series of movies that run together, so if any crazy lunatic wants to watch them all in a row, there will be a consistency of tone.
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I wanted people to believe that there could still be this little undiscovered piece of the world that survives still on Skull Island.
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