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You shouldn't think of these movies as being 'The Lord of the Rings.' The Lord of the Rings is, and always will be, a wonderful book - one of the greatest ever written. Any films will only ever be an INTERPRETATION of the book. In this case my interpretation.

Peter Jackson

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Peter Jackson
Age: 63
Born: 1961
Born: October 31
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Writer
Sir Peter Jackson
Peter Robert Jackson
Sir Peter Robert Jackson
Ever
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I regard myself as being the final filter so everything that ends up in the movie is there because it's something that I think was cool.
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The director has to win, because you should never force a director to shoot something they don't believe in.
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New Zealand is not a small country but a large village.
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No film has captivated my imagination more than 'King Kong.' I'm making movies today because I saw this film when I was 9 years old.
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A pregnant woman is like a beautiful flowering tree, but take care when it comes time for the harvest that you do not shake or bruise the tree, for in doing so, you may harm both the tree and its fruit.
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Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.
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The music in a film like this is as critical as anything because Kong is mute. He doesn't talk.
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I want to make a series of movies that run together, so if any crazy lunatic wants to watch them all in a row, there will be a consistency of tone.
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If you work at love, you will find love at work.
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To his ex-wife in court, he said I lost interest in you when the Botox lost its effect and you looked like a plastic doll that escaped from a fire.
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I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.
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He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.
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In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
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Writing a screen play with a group of collaborators is like the Lennon McCartney collaboration .... sometimes one or two people do more than others on certain parts of the process and vice versa.
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[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.
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Every film is a challenge. I always say that making a movie is like film school - you're always learning. But unlike most schools, you never get done with it. You never learn everything.
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I am a big Dragon fan. I've said it before- And I was fortunate enough to be born a Dragon in the Chinese Horocope.
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Elijah can register such subtle emotion on his face that I loved doing close-ups on him. He really brings a superb emotional level to Frodo's scenes and although he is a very instinctive actor, we discussed the character thoroughly.
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I want to make movies just like King Kong. You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.
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I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
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