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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Editor
Editors
Trained
Keys
Doubt
Film
Good
Eisenstein
More quotes by Peter Greenaway
Anybody who writes a diary insists it must be read by someone else.
Peter Greenaway
All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
Peter Greenaway
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
Peter Greenaway
Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.
Peter Greenaway
A hand cannot write on itself.
Peter Greenaway
It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
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I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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I share this interest in the weird, strange, unusual, surreal.
Peter Greenaway
American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
Peter Greenaway
I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life.
Peter Greenaway
I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
Peter Greenaway
Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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Whispering can be a rest from a noisy world of words.
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