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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Eisenstein
Editor
Editors
Trained
Keys
Doubt
Film
Good
More quotes by Peter Greenaway
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
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I admit that death is not just about you, it's also about the people who love you.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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My personal obsessions are much more interesting to me than other people's.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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We live in a time of excess - excess population, excess information.
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It serves the purpose of not serving a purpose, surely quite a valid one.
Peter Greenaway
One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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We don't need virtual reality, we need virtual unreality.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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Cinema has reached a dead end.
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I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
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I don't believe that one has to tear down the cinema screen in order to renew cinema. But new input and new energy are lacking. They are flowing above all into the television technologies. We must, therefore, concentrate on the CD-ROM.
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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
Peter Greenaway
I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
Peter Greenaway
I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
Peter Greenaway
This is where I begin to do the writing. I am now going to be the pen and not the paper.
Peter Greenaway
Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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