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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Film
Good
Eisenstein
Editor
Editors
Trained
Keys
Doubt
More quotes by Peter Greenaway
Works of art are never finished, just stopped.
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I like a lot of glasses about - it highers the tone.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
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I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
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My personal obsessions are much more interesting to me than other people's.
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You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
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Itch to read, scratch to understand.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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Words reproduce themselves pleasurably too.
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We don't need virtual reality, we need virtual unreality.
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I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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I am Welsh by birth, English by education, and European by nature.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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