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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
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Painting
Refusal
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Men
Painter
More quotes by Peter Greenaway
Continuity is boring.
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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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Cinema has reached a dead end.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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I admit that death is not just about you, it's also about the people who love you.
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You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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My personal obsessions are much more interesting to me than other people's.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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I am Welsh by birth, English by education, and European by nature.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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We don't need virtual reality, we need virtual unreality.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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Cinema basically examines a personality first and the body afterward.
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If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.
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Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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