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Continuity is boring.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Continuity
Boring

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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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English culture is highly literary-based.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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I admit that death is not just about you, it's also about the people who love you.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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Bill Viola is worth ten Scorseses.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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We don't need virtual reality, we need virtual unreality.
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Itch to read, scratch to understand.
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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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I like a lot of glasses about - it highers the tone.
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One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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