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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
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Life
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Red
Aren
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Takes
More quotes by Peter Greenaway
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
Peter Greenaway
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
Peter Greenaway
I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.
Peter Greenaway
Anybody who writes a diary insists it must be read by someone else.
Peter Greenaway
You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
Peter Greenaway
It serves the purpose of not serving a purpose, surely quite a valid one.
Peter Greenaway
I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
Peter Greenaway
There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
Peter Greenaway
I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
Peter Greenaway
I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
Peter Greenaway
I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
Peter Greenaway
I admit that death is not just about you, it's also about the people who love you.
Peter Greenaway
Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
Peter Greenaway
I share this interest in the weird, strange, unusual, surreal.
Peter Greenaway
The game Flights of Fancy or Reverse Strip Jump is played from as high a jumping-point as a competitor will dare. After each successful jump, the competitor is allowing to put on an article of clothing. Thirteen jumps is normally more than enough to see a competitor fully dressed for the day.
Peter Greenaway
We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
Peter Greenaway
If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
Peter Greenaway
One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
Peter Greenaway
I don't believe that one has to tear down the cinema screen in order to renew cinema. But new input and new energy are lacking. They are flowing above all into the television technologies. We must, therefore, concentrate on the CD-ROM.
Peter Greenaway
I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
Peter Greenaway
