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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Secret
Pretence
Universe
Terrifying
Language
Comforting
Things
Possess
Men
Humble
Therefore
Creation
Numbers
Exacting
More quotes by Peter Greenaway
American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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I admit that death is not just about you, it's also about the people who love you.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
Peter Greenaway
The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
Peter Greenaway
I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
Peter Greenaway
We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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We live in a time of excess - excess population, excess information.
Peter Greenaway
If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
Peter Greenaway
English culture is highly literary-based.
Peter Greenaway
All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
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I share this interest in the weird, strange, unusual, surreal.
Peter Greenaway
Investigation is never complete.
Peter Greenaway
I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
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Words reproduce themselves pleasurably too.
Peter Greenaway