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I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
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Makes
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Important
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Provocative
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Intellectually
Thinking
Films
More quotes by Peter Greenaway
I admit that death is not just about you, it's also about the people who love you.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
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I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life.
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I am Welsh by birth, English by education, and European by nature.
Peter Greenaway
Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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For so many filmmakers, cinema is a means to an end.
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Cinema basically examines a personality first and the body afterward.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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Cinema is dead, long live cinema.
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If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
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We live in a time of excess - excess population, excess information.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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Works of art are never finished, just stopped.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
Peter Greenaway