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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Men
Nine
Think
Eight
Thinking
Supposed
Sex
Minutes
Doe
Earth
Every
More quotes by Peter Greenaway
We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
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My personal obsessions are much more interesting to me than other people's.
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I admit that death is not just about you, it's also about the people who love you.
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
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I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
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I share this interest in the weird, strange, unusual, surreal.
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What are you - some kind of addict? Is this where you come to.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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English culture is highly literary-based.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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We don't need virtual reality, we need virtual unreality.
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A hand cannot write on itself.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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