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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Every
Men
Nine
Think
Eight
Thinking
Supposed
Sex
Minutes
Doe
Earth
More quotes by Peter Greenaway
We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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Cinema is dead, long live cinema.
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I admit that death is not just about you, it's also about the people who love you.
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Works of art are never finished, just stopped.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.
Peter Greenaway
I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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Continuity is boring.
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One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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I share this interest in the weird, strange, unusual, surreal.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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A hand cannot write on itself.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
Peter Greenaway