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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Instead
Story
Form
Stories
Narrows
Cinema
Content
Structure
Concern
More quotes by Peter Greenaway
Cinema basically examines a personality first and the body afterward.
Peter Greenaway
Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.
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English culture is highly literary-based.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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Works of art are never finished, just stopped.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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Continuity is boring.
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I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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Cinema is dead, long live cinema.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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I like a lot of glasses about - it highers the tone.
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We live in a time of excess - excess population, excess information.
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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
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