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If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
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Breathed
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Creature
More quotes by Peter Greenaway
English culture is highly literary-based.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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Bill Viola is worth ten Scorseses.
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I share this interest in the weird, strange, unusual, surreal.
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For so many filmmakers, cinema is a means to an end.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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Whispering can be a rest from a noisy world of words.
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Investigation is never complete.
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Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
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I have always had severe problems with Austrians. ... Musical, churchy, uptight... nice legs... hypocritical... authoritarian... always insist their dustbins are very clean.
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What are you - some kind of addict? Is this where you come to.
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A hand cannot write on itself.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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Since Caesar, we know his historians are liars. The good writers get read. Bad history doesn't get read.
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Itch to read, scratch to understand.
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We don't need virtual reality, we need virtual unreality.
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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