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I have always had severe problems with Austrians. ... Musical, churchy, uptight... nice legs... hypocritical... authoritarian... always insist their dustbins are very clean.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Musical
Clean
Dustbin
Problems
Uptight
Nice
Authoritarian
Problem
Hypocritical
Always
Insist
Severe
Legs

More quotes by Peter Greenaway

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The game Flights of Fancy or Reverse Strip Jump is played from as high a jumping-point as a competitor will dare. After each successful jump, the competitor is allowing to put on an article of clothing. Thirteen jumps is normally more than enough to see a competitor fully dressed for the day.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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English culture is highly literary-based.
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All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
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I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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I like a lot of glasses about - it highers the tone.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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We live in a time of excess - excess population, excess information.
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Works of art are never finished, just stopped.
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I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life.
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I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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Words reproduce themselves pleasurably too.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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