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I like a lot of glasses about - it highers the tone.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Tone
Glasses
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More quotes by Peter Greenaway

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If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
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English culture is highly literary-based.
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Cinema is dead, long live cinema.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
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I share this interest in the weird, strange, unusual, surreal.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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What are you - some kind of addict? Is this where you come to.
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We live in a time of excess - excess population, excess information.
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.
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I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life.
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Works of art are never finished, just stopped.
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