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I admit that death is not just about you, it's also about the people who love you.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Admit
Death
Also
Love
People
More quotes by Peter Greenaway
I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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Works of art are never finished, just stopped.
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Anybody who writes a diary insists it must be read by someone else.
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Cinema basically examines a personality first and the body afterward.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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We don't need virtual reality, we need virtual unreality.
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I like a lot of glasses about - it highers the tone.
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I share this interest in the weird, strange, unusual, surreal.
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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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A hand cannot write on itself.
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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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What are you - some kind of addict? Is this where you come to.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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English culture is highly literary-based.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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