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Anybody who writes a diary insists it must be read by someone else.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
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Diaries
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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I share this interest in the weird, strange, unusual, surreal.
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I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.
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One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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Cinema basically examines a personality first and the body afterward.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
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Cinema has reached a dead end.
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In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
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My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
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A hand cannot write on itself.
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You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
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Cinema is dead, long live cinema.
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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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English culture is highly literary-based.
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My personal obsessions are much more interesting to me than other people's.
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