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Cinema is dead, long live cinema.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Cinema
Dead
Live
Long
More quotes by Peter Greenaway
Itch to read, scratch to understand.
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I am Welsh by birth, English by education, and European by nature.
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Investigation is never complete.
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My heroes among filmmakers would be people like Buñuel and Pasolini, who were of very high cinematic intelligence, but tread on a lot of toes.
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I have always had severe problems with Austrians. ... Musical, churchy, uptight... nice legs... hypocritical... authoritarian... always insist their dustbins are very clean.
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I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
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I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
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It serves the purpose of not serving a purpose, surely quite a valid one.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
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Whispering can be a rest from a noisy world of words.
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If you're a Shakespeare fan, isn't that a way to negotiate sex and death?
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My personal obsessions are much more interesting to me than other people's.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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Bill Viola is worth ten Scorseses.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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