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Cinema has reached a dead end.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Dead
Ends
Reached
Cinema
More quotes by Peter Greenaway
Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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English culture is highly literary-based.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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We don't need virtual reality, we need virtual unreality.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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I like a lot of glasses about - it highers the tone.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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Itch to read, scratch to understand.
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What are you - some kind of addict? Is this where you come to.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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Continuity is boring.
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Words reproduce themselves pleasurably too.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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We live in a time of excess - excess population, excess information.
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