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We don't need virtual reality, we need virtual unreality.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Needs
Unreality
Virtual
Reality
Need

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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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Cinema is dead, long live cinema.
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The game Flights of Fancy or Reverse Strip Jump is played from as high a jumping-point as a competitor will dare. After each successful jump, the competitor is allowing to put on an article of clothing. Thirteen jumps is normally more than enough to see a competitor fully dressed for the day.
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A really intelligent man makes an indifferent painter. For painting requires a certain blindness, a partial refusal to be aware of all the options.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
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I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.
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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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I am Welsh by birth, English by education, and European by nature.
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What are you - some kind of addict? Is this where you come to.
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Itch to read, scratch to understand.
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My personal obsessions are much more interesting to me than other people's.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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I like a lot of glasses about - it highers the tone.
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I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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