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We don't need virtual reality, we need virtual unreality.

Peter Greenaway

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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Reality
Need
Needs
Unreality
Virtual

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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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I share this interest in the weird, strange, unusual, surreal.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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Bill Viola is worth ten Scorseses.
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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My personal obsessions are much more interesting to me than other people's.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
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Investigation is never complete.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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