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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Evidence
Dying
Already
Feet
Think
Mortal
Thinking
Mortals
Cinema
Indeed
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I like a lot of glasses about - it highers the tone.
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Whispering can be a rest from a noisy world of words.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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Cinema basically examines a personality first and the body afterward.
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I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
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I am Welsh by birth, English by education, and European by nature.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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Anybody who writes a diary insists it must be read by someone else.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.
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I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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For so many filmmakers, cinema is a means to an end.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
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We don't need virtual reality, we need virtual unreality.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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My personal obsessions are much more interesting to me than other people's.
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Works of art are never finished, just stopped.
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I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
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