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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Evidence
Dying
Already
Feet
Think
Mortal
Thinking
Mortals
Cinema
Indeed
More quotes by Peter Greenaway
We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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English culture is highly literary-based.
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We live in a time of excess - excess population, excess information.
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My personal obsessions are much more interesting to me than other people's.
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A hand cannot write on itself.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
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The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
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Anybody who writes a diary insists it must be read by someone else.
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Itch to read, scratch to understand.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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The game Flights of Fancy or Reverse Strip Jump is played from as high a jumping-point as a competitor will dare. After each successful jump, the competitor is allowing to put on an article of clothing. Thirteen jumps is normally more than enough to see a competitor fully dressed for the day.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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I admit that death is not just about you, it's also about the people who love you.
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I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
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