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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Subjects
Ability
Manipulate
Culture
Nowadays
Death
Basically
Two
Matters
Matter
Western
Never
Subject
Sex
More quotes by Peter Greenaway
Since Caesar, we know his historians are liars. The good writers get read. Bad history doesn't get read.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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A hand cannot write on itself.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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Bill Viola is worth ten Scorseses.
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Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
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We all know that we're going to die, but we don't know when. That's not a blessing, that's a curse.
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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I don't believe that one has to tear down the cinema screen in order to renew cinema. But new input and new energy are lacking. They are flowing above all into the television technologies. We must, therefore, concentrate on the CD-ROM.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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We live in a time of excess - excess population, excess information.
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Works of art are never finished, just stopped.
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I do indeed think that cinema is mortal. There is a lot of evidence already that it is dying on its feet.
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American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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I admit that death is not just about you, it's also about the people who love you.
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