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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Ability
Manipulate
Culture
Nowadays
Death
Basically
Two
Matters
Matter
Western
Never
Subject
Sex
Subjects
More quotes by Peter Greenaway
A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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Since Caesar, we know his historians are liars. The good writers get read. Bad history doesn't get read.
Peter Greenaway
English culture is highly literary-based.
Peter Greenaway
Words reproduce themselves pleasurably too.
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I like a lot of glasses about - it highers the tone.
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Itch to read, scratch to understand.
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Anybody who writes a diary insists it must be read by someone else.
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If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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I don't believe that one has to tear down the cinema screen in order to renew cinema. But new input and new energy are lacking. They are flowing above all into the television technologies. We must, therefore, concentrate on the CD-ROM.
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I admit that death is not just about you, it's also about the people who love you.
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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
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I don't believe in the deplorable notion of realism in the cinema: you can over-reach it, and it becomes as false as convention.
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Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.
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Cinema has reached a dead end.
Peter Greenaway