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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Movies
Tied
Eye
Closed
Making
Filmmaker
Hands
Tragic
Two
Revolution
Seems
Ordinary
Backs
Many
Behinds
Extra
Behind
Extras
More quotes by Peter Greenaway
Continuity is boring.
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Cinema is dead, long live cinema.
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I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
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The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
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It serves the purpose of not serving a purpose, surely quite a valid one.
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I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium.
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Itch to read, scratch to understand.
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Cinema has reached a dead end.
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I have transmitted genetic material, all I have to do between my daughters' birth and my death is to decorate my life.
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I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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The best painting is totally non-narrative. It doesn't have to tell you a story.
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I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
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Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
Peter Greenaway
Investigation is never complete.
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I got in trouble with the stern-faced Russians who didn't want me to create a guy who is mortal.
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We live in a time of excess - excess population, excess information.
Peter Greenaway