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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Eye
Closed
Making
Filmmaker
Hands
Tragic
Two
Revolution
Seems
Ordinary
Backs
Many
Behinds
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Behind
Extras
Movies
Tied
More quotes by Peter Greenaway
We live in a time of excess - excess population, excess information.
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There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
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This is where I begin to do the writing. I am now going to be the pen and not the paper.
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Bill Viola is worth ten Scorseses.
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The pretence that numbers are not the humble creation of man, but are the exacting language of the Universe and therefore possess the secret of all things, is comforting, terrifying and mesmeric.
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Cinema is dead, long live cinema.
Peter Greenaway
It serves the purpose of not serving a purpose, surely quite a valid one.
Peter Greenaway
American actors are coy. We all have pricks and cunts, or are you different from the rest of us?
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I am Welsh by birth, English by education, and European by nature.
Peter Greenaway
Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
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For so many filmmakers, cinema is a means to an end.
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I like a lot of glasses about - it highers the tone.
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I have often thought it was very arrogant to suppose you could make a film for anybody but yourself.
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One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages who knows, it might have been a better book.
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I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.
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There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.
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Investigation is never complete.
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I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
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I admit that death is not just about you, it's also about the people who love you.
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Words reproduce themselves pleasurably too.
Peter Greenaway