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It seems so tragic to me that so many filmmakers are making movies up against this extra-ordinary revolution with one eye closed and two hands tied behind their backs.
Peter Greenaway
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Peter Greenaway
Age: 82
Born: 1942
Born: April 5
Actor
Cinematographer
Experimental Artist
Film Director
Film Editor
Painter
Screenwriter
Television Director
Theatrical Director
Writer
Newport
South Wales
Behind
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Movies
Tied
Eye
Closed
Making
Filmmaker
Hands
Tragic
Two
Revolution
Seems
Ordinary
Backs
Many
Behinds
Extra
More quotes by Peter Greenaway
Works of art are never finished, just stopped.
Peter Greenaway
There's more religion in my little finger than there is in the pope. But no, I don't believe in God. I am an athiest. A Darwinian evolutionist.
Peter Greenaway
A hand cannot write on itself.
Peter Greenaway
I don't have any particular wish to be polemical or didactic I don't have a 'message', but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.
Peter Greenaway
You should be allowed to rub out and start again, it means that you are human. The purists are tedious, they tell you a mistake is like an enduring black mark. Nonsense -- better to be human than some infernal machine never going wrong.
Peter Greenaway
I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.
Peter Greenaway
I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
Peter Greenaway
Continuity is boring.
Peter Greenaway
Bill Viola is worth ten Scorseses.
Peter Greenaway
We live in a time of excess - excess population, excess information.
Peter Greenaway
I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
Peter Greenaway
I think that films or indeed any art work should be made in a way that they are infinitely viewable so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
Peter Greenaway
All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
Peter Greenaway
Anybody who writes a diary insists it must be read by someone else.
Peter Greenaway
I wanted to make a cinema of ideas, not plots, and to use the same aesthetics as painting, which has always paid great attention to formal devices of structure, composition and framing.
Peter Greenaway
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
Peter Greenaway
In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
Peter Greenaway
I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
Peter Greenaway
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
Peter Greenaway
The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
Peter Greenaway