If by reaction you mean critical reaction, I was confident that we were putting out a quality book [ Treachery]. So I was reasonably sure that we'd get positive notices.

I knew if we could pull in the Stephen King fans, we'd have a ball game. The point at which I finally became confident of the audience interest was when I showed up at one of the Marvel midnight openings to launch the very first issue of Dark Tower.

If we can't alter the tide of events, at least we can be nearby with towels to mop up.

I resisted the temptation to turn around and stick out my tongue in derision at Beliquose. After all, there was no telling when or if we should meet again, and I certainly did not need him saying, 'Ah yes, Poe, the fellow whose trespasses i could have forgiven in their entirety... except for the tongue thing. Yes, for that, you must surely die.'

At conventions, one of the standard questions I get is, 'Are you writing any new novels?' To which I used to respond, in my smart-[alec] fashion, 'No, I've decided to write only old novels.'

When...has a mugging case ever heard a defense attorney claim, 'Your Honor, the victim was dressed in an Armani suit and wearing a Rolex. Clearly he was begging to be assaulted.'

There are no such things as happy endings. Never. They're totally manufactured by fiction writers who choose to end the story on a high point.

In terms of actual audience numbers, I honestly had no idea what to expect [with 'Treachery' ]. It was, after all, not a superhero title.

We're all of us dying . . . from the moment we're born

Opposites can attract, as in magnetism. Or explode, as in matter and antimatter.

Maybe science is just magic with delusions of lack of grandeur.

...They are merely scars, not mortal wounds and you must use them to propel you forward.