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The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, with their polished metallic surfaces.

Peter C Bunnell

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Peter C Bunnell
Memories
Polished
Century
Photographs
Almost
Mirror
Looking
Mirrors
Way
Photograph
Time
Surface
Metallic
Like
Memory
Surfaces
Looked
Nineteenth

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Photographs freed from the scientific bias can, and indeed usually do, have double meanings, implied meanings, unintended meanings, can hint and insinuate, and may even mean the opposite of what they apparently mean.
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