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To be a writer was always my greatest aim. I remember writing a play about Guy Fawkes when I was 10. I suppose it's significant, at least to me, that my first work should be about a historical figure.
Peter Ackroyd
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Peter Ackroyd
Age: 75
Born: 1949
Born: October 5
Biographer
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Literary Historian
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More quotes by Peter Ackroyd
It may seem unfashionable to say so, but historians should seize the imagination as well as the intellect. History is, in a sense, a story, a narrative of adventure and of vision, of character and of incident. It is also a portrait of the great general drama of the human spirit.
Peter Ackroyd
There are so many characters whizzing around inside my head, it's like Looney Tunes. But as soon as I've finished writing about them, I completely forget who they are.
Peter Ackroyd
Under the force of the imagination, nature itself is changed.
Peter Ackroyd
It is strange, is it not, how a person can adore one's soul so much that they adore one's body also?
Peter Ackroyd
London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.
Peter Ackroyd
The world is a sea in which we all must surely drown.
Peter Ackroyd
And the smell of the library was always the same - the musty odour of old clothes mixed with the keener scent of unwashed bodies, creating what the chief librarian had once described as 'the steam of the social soup.'
Peter Ackroyd
I love soap operas - the stories, the plots! And I love the game shows and the courtroom dramas and the detectives - Jessica Fletcher, 'Columbo,' 'Perry Mason,' 'L.A. Law.' Any sense of guilt appeals to me in a television program - a sense of guilt, or a sense of making a lot of money.
Peter Ackroyd
London goes beyond any boundary or convention.It contains every wish or word ever spoken, every action or gesture ever made, every harsh or noble statement ever expressed. It is illimitable. It is Infinite London.
Peter Ackroyd
I don't believe necessarily the past is in the past. It's eternal, it's all around us.
Peter Ackroyd
To watch King Lear is to approach the recognition that there is indeed no meaning in life, and that there are limits to human understanding.
Peter Ackroyd
If I did only one thing at a time I'd think I was wasting my time. If, for example, I only wrote novels I would feel like a charlatan and a fraud.
Peter Ackroyd
I wanted to be a poet when I was 20 I had no interest in fiction or biography and precious little interest in history, but those three elements in my life have become the most important.
Peter Ackroyd
I have always believed that the material world is governed by nonmaterial sources, so that in that sense 'English Music' is an exercise in the spiritual as well as the material. I have always been attracted to the Gothic and spiritual imagination, and I've always been interested in visionaries.
Peter Ackroyd
I strike up conversations all the time and it is very interesting, finding out about things I know nothing about.
Peter Ackroyd
You don't have to be brought up in a grand house to have a sense of the past, and I truly believe that there are certain people to whom or through whom the territory - the place, the past - speaks.
Peter Ackroyd
Freud was just a novelist.
Peter Ackroyd
London has always provided the landscape for my imagination. It becomes a character - a living being - within each of my books.
Peter Ackroyd
Thomas More's birth was noted by his father upon a blank page at the back of a copy of Geoffrey of Monmouth's 'Historia Regum Britanniae' for a lawyer John More was remarkably inexact in his references to that natal year, and the date has been moved from 1477 to 1478 and back again.
Peter Ackroyd
I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary editor of 'The Spectator.
Peter Ackroyd