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What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story.

Pete Townshend

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Pete Townshend
Age: 79
Born: 1945
Born: May 19
Banjoist
Composer
Guitarist
Mandolinist
Musician
Screenwriter
Singer
Singer-Songwriter
London
England
Peter Dennis Blandford Townshend
00122214237 IPI
00054760672 IPI
Much
Story
Earlier
People
Tell
Internal
Order
Operations
Form
Theatre
Stories
Using
Look
Models
Looks
Ordinary
Mythic
Sometimes
Started
Internals

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It makes me angry when people insist that I have a responsibility to do what they think I should do.
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Nothing else in nature behaves so consistently and rigidly as a human being in pursuit of hell.
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Backstage, I get sleepy, and want to curl up and snooze. I never get nervous, whatever the event. I feel quite detached until I walk on stage, and then some gear inside me clicks and off I go like a wind up doll.
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I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
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In the midnight of a soul's unsleeping, hear the waterfall of women weeping. Hear the distant noise of traffic stalling, hear the prostituted children calling.
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The circling horse was an oblique warning that i would repeat the same mistake eternally. Would the law of averages allow it? Can anything continue without change? Nothing else in nature behaves so consistently and rigidly as a human being in pursuit of hell.
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Most of my songs are about Jesus. Most of my songs are about the idea that there is salvation, and that there is a Savior. But I won't mention his name in a song just to get a cheap play.
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I believe rock can do anything, it's the ultimate vehicle for everything
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I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
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When people keep repeating That you'll never fall in love When everybody keeps retreating But you can't seem to get enough Let my love open the door Let my love open the door Let my love open the door To your heart.
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I want fast food, pretty naked girls preferably tattooed.
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People try to put us down (Talkin' 'bout my generation) Just because we get around (Talkin' 'bout my generation) Things they do look awful c-c-cold (Talkin' 'bout my generation) Hope I die before I get old.
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Beach is a place where a man can feel he's the only soul in the world that's real.
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Once she woke with untamed lover's face between her legs, now he's cooled and stifled and it's she who has to beg.
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Like so many addicts, I'd thought that if I could only sort out my life, I could then sort out my drinking. It was a revelation to see that it would be simpler the other way around
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No one respects the flame quite like the fool who's badly burned
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The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
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Dance is the only thing that lets you lose yourself and find yourself at the same time.
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I respect those who follow religious routes only if they seem to me to be morally proper and in accord with the modern world.
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Is your perception of 'I Heard It Through the Grapevine' so shallow that it's violated by dancing raisins?
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