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I'm now an agnostic but I grew up on the King James version, which I'm eternally grateful for.

Penelope Lively

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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
King
Grateful
Kings
Grew
Eternally
Agnostic
James
Version
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More quotes by Penelope Lively

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There's a fearful term that's in fashion at the moment - closure. People apparently believe it is desirable and attainable.
Penelope Lively
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Grief-stricken. Stricken is right it is as though you had been felled. Knocked to the ground pitched out of life and into something else.
Penelope Lively
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The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.
Penelope Lively
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Unless I am a part of everything I am nothing.
Penelope Lively
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Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
Penelope Lively
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People die, but money never does.
Penelope Lively
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Mythology is much better stuff than history. It has form logic a message.
Penelope Lively
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The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
Penelope Lively
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History unravels circumstances, following their natural inclination, prefer to remain ravelled.
Penelope Lively
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I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
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I rather like getting away from fiction.
Penelope Lively
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There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
Penelope Lively
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It seems to me that anyone whose library consists of a Kindle lying on a table is some sort of bloodless nerd.
Penelope Lively
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It seems to me that everything that happens to us is a disconcerting mix of choice and contingency.
Penelope Lively
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You learn a lot, writing fiction.
Penelope Lively
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We make choices but are constantly foiled by happenstance.
Penelope Lively
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I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Towns and cities, too, which always retain the ghost of their earlier incarnations beneath today's concrete and glass.
Penelope Lively
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We all need a past - that's where our sense of identity comes from.
Penelope Lively
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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
Penelope Lively
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Getting to know someone else involves curiosity about where they have come from, who they are.
Penelope Lively