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I do like to embed a fictional character firmly in an occupation.

Penelope Lively

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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
Character
Like
Embed
Fictional
Firmly
Occupation

More quotes by Penelope Lively

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Getting to know someone else involves curiosity about where they have come from, who they are.
Penelope Lively
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I'm intrigued by the way in which physical appearance can often direct a person's life things happen differently for a beautiful woman than for a plain one.
Penelope Lively
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There's a fearful term that's in fashion at the moment - closure. People apparently believe it is desirable and attainable.
Penelope Lively
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If we had not met, that day, I think I would have imagined you somehow.
Penelope Lively
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I rather like getting away from fiction.
Penelope Lively
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I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
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The consideration of change over the century is about loss, though I think that social change is gain rather than loss.
Penelope Lively
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I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.
Penelope Lively
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Unless I am a part of everything I am nothing.
Penelope Lively
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In old age, you realise that while you're divided from your youth by decades, you can close your eyes and summon it at will. As a writer it puts one at a distinct advantage.
Penelope Lively
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People die, but money never does.
Penelope Lively
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I didn't write anything until I was well over 30.
Penelope Lively
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It seems to me that anyone whose library consists of a Kindle lying on a table is some sort of bloodless nerd.
Penelope Lively
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There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
Penelope Lively
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Grief-stricken. Stricken is right it is as though you had been felled. Knocked to the ground pitched out of life and into something else.
Penelope Lively
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I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
Penelope Lively
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I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Towns and cities, too, which always retain the ghost of their earlier incarnations beneath today's concrete and glass.
Penelope Lively
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The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
Penelope Lively
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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
Penelope Lively
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I am addicted to arrivals, to those innocent dawn moments from which history accelerates.
Penelope Lively