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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
Penelope Lively
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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
Past
Cupboards
Power
Bomb
Time
Interfere
Bombs
Photograph
Photography
Concerned
Present
Cupboard
More quotes by Penelope Lively
Mythology is much better stuff than history. It has form logic a message.
Penelope Lively
We make choices but are constantly foiled by happenstance.
Penelope Lively
If we had not met, that day, I think I would have imagined you somehow.
Penelope Lively
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
Penelope Lively
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.
Penelope Lively
I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
Penelope Lively
The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.
Penelope Lively
I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.
Penelope Lively
I am addicted to arrivals, to those innocent dawn moments from which history accelerates.
Penelope Lively
I rather like getting away from fiction.
Penelope Lively
the days of our lives vanish utterly, more insubstantial than if they had been invented. Fiction can seem more enduring than reality.
Penelope Lively
There's a fearful term that's in fashion at the moment - closure. People apparently believe it is desirable and attainable.
Penelope Lively
I didn't write anything until I was well over 30.
Penelope Lively
We all need a past - that's where our sense of identity comes from.
Penelope Lively
There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
Penelope Lively
Getting to know someone else involves curiosity about where they have come from, who they are.
Penelope Lively
I'm intrigued by the way in which physical appearance can often direct a person's life things happen differently for a beautiful woman than for a plain one.
Penelope Lively
I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Towns and cities, too, which always retain the ghost of their earlier incarnations beneath today's concrete and glass.
Penelope Lively
In old age, you realise that while you're divided from your youth by decades, you can close your eyes and summon it at will. As a writer it puts one at a distinct advantage.
Penelope Lively
