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The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
Penelope Lively
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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
Longer
Jars
Hours
Linear
Next
Contained
Self
Bright
Like
Brilliant
Refracted
Hundred
Assorted
Sweet
Segments
Broken
Sweets
More quotes by Penelope Lively
I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.
Penelope Lively
There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
Penelope Lively
I rather like getting away from fiction.
Penelope Lively
I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
History unravels circumstances, following their natural inclination, prefer to remain ravelled.
Penelope Lively
It seems to me that anyone whose library consists of a Kindle lying on a table is some sort of bloodless nerd.
Penelope Lively
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
Penelope Lively
I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Towns and cities, too, which always retain the ghost of their earlier incarnations beneath today's concrete and glass.
Penelope Lively
Mythology is much better stuff than history. It has form logic a message.
Penelope Lively
Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
Penelope Lively
Unless I am a part of everything I am nothing.
Penelope Lively
The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
Penelope Lively
Grief-stricken. Stricken is right it is as though you had been felled. Knocked to the ground pitched out of life and into something else.
Penelope Lively
In old age, you realise that while you're divided from your youth by decades, you can close your eyes and summon it at will. As a writer it puts one at a distinct advantage.
Penelope Lively
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.
Penelope Lively
It seems to me that everything that happens to us is a disconcerting mix of choice and contingency.
Penelope Lively
We make choices but are constantly foiled by happenstance.
Penelope Lively
I'm intrigued by the way in which physical appearance can often direct a person's life things happen differently for a beautiful woman than for a plain one.
Penelope Lively
I do like to embed a fictional character firmly in an occupation.
Penelope Lively
If we had not met, that day, I think I would have imagined you somehow.
Penelope Lively