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I am addicted to arrivals, to those innocent dawn moments from which history accelerates.

Penelope Lively

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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
Accelerate
Arrivals
Addicted
Dawn
Innocent
History
Moments
Accelerates

More quotes by Penelope Lively

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We all need a past - that's where our sense of identity comes from.
Penelope Lively
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The consideration of change over the century is about loss, though I think that social change is gain rather than loss.
Penelope Lively
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Getting to know someone else involves curiosity about where they have come from, who they are.
Penelope Lively
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I'm now an agnostic but I grew up on the King James version, which I'm eternally grateful for.
Penelope Lively
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History unravels circumstances, following their natural inclination, prefer to remain ravelled.
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I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
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The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.
Penelope Lively
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All history, of course, is the history of wars.
Penelope Lively
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Mythology is much better stuff than history. It has form logic a message.
Penelope Lively
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Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
Penelope Lively
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There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
Penelope Lively
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We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.
Penelope Lively
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Unless I am a part of everything I am nothing.
Penelope Lively
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I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
Penelope Lively
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Grief-stricken. Stricken is right it is as though you had been felled. Knocked to the ground pitched out of life and into something else.
Penelope Lively
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In old age, you realise that while you're divided from your youth by decades, you can close your eyes and summon it at will. As a writer it puts one at a distinct advantage.
Penelope Lively
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The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
Penelope Lively
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I didn't write anything until I was well over 30.
Penelope Lively
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I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement. Towns and cities, too, which always retain the ghost of their earlier incarnations beneath today's concrete and glass.
Penelope Lively
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There's a fearful term that's in fashion at the moment - closure. People apparently believe it is desirable and attainable.
Penelope Lively