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Grief-stricken. Stricken is right it is as though you had been felled. Knocked to the ground pitched out of life and into something else.

Penelope Lively

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Penelope Lively
Age: 91
Born: 1933
Born: March 17
Novelist
Radio Personality
Writer
Cairo
Egypt
Penelope Low
Dame Penelope Margaret Lively
Though
Else
Felled
Right
Pitched
Something
Stricken
Life
Knocked
Grief
Ground

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I'm now an agnostic but I grew up on the King James version, which I'm eternally grateful for.
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People die, but money never does.
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I rather like getting away from fiction.
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I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.
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The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
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The present hardly exists, after all-it becomes the past even as it happens. A tricky medium, time - and central to the concerns of fiction.
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I am addicted to arrivals, to those innocent dawn moments from which history accelerates.
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I do like to embed a fictional character firmly in an occupation.
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Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
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I'm intrigued by the way in which physical appearance can often direct a person's life things happen differently for a beautiful woman than for a plain one.
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You learn a lot, writing fiction.
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History unravels circumstances, following their natural inclination, prefer to remain ravelled.
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If people don't read, that's their choice a lifelong book habit may itself be some sort of affliction.
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Mythology is much better stuff than history. It has form logic a message.
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We all need a past - that's where our sense of identity comes from.
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It seems to me that anyone whose library consists of a Kindle lying on a table is some sort of bloodless nerd.
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We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.
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I didn't write anything until I was well over 30.
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Getting to know someone else involves curiosity about where they have come from, who they are.
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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
Penelope Lively