Quote

Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.

Pedro Almodovar

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Pedro Almodovar
Age: 73
Born: 1951
Born: September 25
Actor
Director
Film Director
Film Producer
Screenwriter
Singer
Idioma: Español
Pedro Almodovar
Males
Mediterranean
Prejudice
Clich
Female
Latino
Maybe
Prejudices
Culture
Surprising
Character
Fewer
Women
Male
Dull
Machismo

More quotes by Pedro Almodovar

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The 1980s really ended for me in 1992 with the film Kika.
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Cukor is one of my favorite directors. He was a master at directing women.
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A dead love never dies.
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I used this line to demonstrate how important colors are in movies: It's not a caprice.
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I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
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An ample arse helps you to be weighed down and be grounded.
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I think that there is always a part of utopia in any romantic relationship.
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The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
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I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
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I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
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I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
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All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
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When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor.
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Each actor is a very different person, and each one has to be directed very differently.
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The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
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I was born at a bad time for Spain, but a really good one for cinema.
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When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
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When I was young I thought: when I am 60 my necessities will be very different. As I get near that age, I realise they are similar to what they were when I was 25.
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When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Pedro Almodovar