Quote

Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.

Pedro Almodovar

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Pedro Almodovar
Age: 73
Born: 1951
Born: September 25
Actor
Director
Film Director
Film Producer
Screenwriter
Singer
Idioma: Español
Pedro Almodovar
Female
Latino
Maybe
Prejudices
Culture
Surprising
Character
Fewer
Women
Male
Dull
Machismo
Males
Mediterranean
Prejudice
Clich

More quotes by Pedro Almodovar

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When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Pedro Almodovar
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Anything that is not autobiography is plagiarism.
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Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why.
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A dead love never dies.
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The 1980s really ended for me in 1992 with the film Kika.
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Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
Pedro Almodovar
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I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
Pedro Almodovar
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I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
Pedro Almodovar
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All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
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The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
Pedro Almodovar
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I think that there is always a part of utopia in any romantic relationship.
Pedro Almodovar
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Each actor is a very different person, and each one has to be directed very differently.
Pedro Almodovar
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I'm really a nightmare for the fashion designer because I take away all of his authority, and I become the authority, and I turn him into my assistant. You could say I intervene, and I intervene in a very determining way in all the aspects that have to do with the visual construction of the film.
Pedro Almodovar
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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
Pedro Almodovar
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I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
Pedro Almodovar
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When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
Pedro Almodovar
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An ample arse helps you to be weighed down and be grounded.
Pedro Almodovar
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
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I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
Pedro Almodovar
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The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
Pedro Almodovar